JPEN

STORIES|04

The Art of Japan.

The Art of Japan.

アメリカ合衆国独立百周年を記念して1876年に開館したボストン美術館は、アメリカを代表する美術館のひとつ。その収蔵品は50万点にもおよび、アメリカはもとより、ヨーロッパ、エジプト、アジアなど、世界の芸術・文化が一堂に会する美の殿堂である。なかでも東洋美術、とりわけ日本美術のコレクションは日本国外では随一の質と量を誇る。

葛飾北斎、曾我蕭白、長谷川等伯、伊藤若冲、尾形光琳、喜多川歌麿...。近年我が国で人気の高い画家たちのコレクション。その原動力となったのは、明治期に日本美術を海外に広めた先人たちだった。

大森貝塚の発見者として知られるモースの勧めで来日して日本美術を収集、帰国後ボストン美術館の初代日本部長となったアーネスト・フェノロサ。フェノロサの指導を受け東京美術学校、日本美術院を創設、その後ボストン美術館の東洋部長となった岡倉天心。こうした人々が日本でも評価の定まっていなかった日本美術をこの美術館に集め、世界に紹介したのである。

タキヤがこの日本と縁の深い美術館と出会ったのは、2010年のアメリカ・ウィング(Art of the Americas Wing)の増設の時。すでに建物は竣工していたものの、設置したピクチャーレール・ハンガーに問題が見つかり、タキヤに変更したいとの連絡が入った。急遽現地へ飛んで状態を確認し、学芸員と相談。設置済みのレールにあわせてフックを設計するなど、オリジナルの展示金具を開発。新館オープンが迫っていて時間がなかったものの、なんとか間に合わせることができた。こうして生まれたボストン美術館とタキヤの絆は今日まで続き、今では全館に採用されている。

一世紀以上前に日本の美を発見し、その魅力を世界に伝えてきたボストン美術館。そして強靭さと美しさ、日本の技術で世界の美術館に採用されるタキヤの展示金具。「The Art of Japan」という共通するコンセプトが強い絆となっているのだ。

Founded in 1876 to commemorate the centennial of American independence, the Museum of Fine Arts, Boston (MFA) is one of the United States' leading art museums. Its collection comprises some 500,000 works, bringing together art and culture from across the globe--from the Americas and Europe to Egypt and Asia. Among its many holdings, the MFA's collection of Asian art, and Japanese art in particular, is renowned as one of the finest and most comprehensive outside Japan.

Katsushika Hokusai, Soga Shōhaku, Hasegawa Tōhaku, Itō Jakuchū, Ogata Kōrin, Kitagawa Utamaro--the MFA holds outstanding works by many Japanese artists who have attracted renewed attention in Japan in recent years. The development of this remarkable collection owes much to pioneers who introduced Japanese art to audiences abroad during the Meiji period.

Ernest Fenollosa came to Japan at the suggestion of Edward Sylvester Morse, best known for his discovery of the Ōmori Shell Mounds, and began collecting Japanese art. After returning to the United States, Fenollosa became the MFA's first curator of Japanese art. Okakura Kakuzō, also known as Tenshin, studied under Fenollosa and went on to help establish the Tokyo School of Fine Arts and the Japan Art Institute before later becoming curator of the MFA's Department of Chinese and Japanese Art. Through the efforts of these and other pioneers, works of Japanese art--many of which had yet to receive due recognition even within Japan--were brought together at the MFA and introduced to the wider world.

TAKIYA's relationship with this museum, with its deep ties to Japan, began in 2010 during the expansion that created the Art of the Americas Wing. Although construction of the building had already been completed, issues were discovered with the installed picture-rail hanging system, and TAKIYA was contacted about replacing it with its own system.

TAKIYA immediately dispatched a team to Boston to assess the situation and consult with the museum's curators. We developed custom display hardware specifically for the project, including hooks engineered to work with the rails that were already in place. With the opening of the new wing fast approaching, time was extremely limited, but TAKIYA succeeded in completing the work before the opening.

The relationship forged between the MFA and TAKIYA through this project continues to this day, and TAKIYA's display hardware is now used throughout the museum.

For more than a century, the Museum of Fine Arts, Boston has recognized the beauty of Japanese art and shared its appeal with the world. TAKIYA's display hardware, combining strength and beauty through Japanese engineering and craftsmanship, has likewise found its place in museums around the world.

"The Art of Japan" is a concept that connects the MFA and TAKIYA--and lies at the heart of the enduring relationship between them.

Museum of Fine Arts, Boston

ボストン美術館

ボストン美術館のオーダーを受けて製作したピクチャーレールをはじめとするタキヤの展示金具が作品を支えている。

ARCHIVES

ページのトップに戻る